Monday, October 22, 2007

His Holiness the Dalai Lama Talks Dharma


His Holiness the Dalai Lama spoke at Emory today, and I was pleased to be present. You can learn more about him and his teachings, here is an excerpt from his web site:

Question: About you being the incarnation of the bodhisattva of infinite compassion, Avalokiteshvara. How do you personally feel about this? Is it something you have an unequivocal view of one way or another?

Answer: It is difficult for me to say definitely. Unless I am engaged in a meditative effort, such as following my life back, breath by breath, I couldn’t say exactly. We believe that there are four types of rebirth. One is the common type wherein, a being is helpless to determine his or her rebirth, but only reincarnates in dependence on the nature of past actions. The opposite is that of an entirely enlightened Buddha, who simply manifests a physical form to help others. In this case, it is clear that the person is Buddha. A third is one who, due to past spiritual attainment, can choose, or at least influence, the place and situation of rebirth. The fourth is called a blessed manifestation. In this the person is blessed beyond his normal capacity to perform helpful functions, such as teaching religion. For this last type of birth, the person’s wishes in previous lives to help others must have been very strong. They obtain such empowerment. Though some seem more likely than others, I cannot definitely say which I am.

Question: About you being the incarnation of the bodhisattva of infinite compassion, Avalokiteshvara. How do you personally feel about this? Is it something you have an unequivocal view of one way or another?

Answer: It is difficult for me to say definitely. Unless I am engaged in a meditative effort, such as following my life back, breath by breath, I couldn’t say exactly. We believe that there are four types of rebirth. One is the common type wherein, a being is helpless to determine his or her rebirth, but only reincarnates in dependence on the nature of past actions. The opposite is that of an entirely enlightened Buddha, who simply manifests a physical form to help others. In this case, it is clear that the person is Buddha. A third is one who, due to past spiritual attainment, can choose, or at least influence, the place and situation of rebirth. The fourth is called a blessed manifestation. In this the person is blessed beyond his normal capacity to perform helpful functions, such as teaching religion. For this last type of birth, the person’s wishes in previous lives to help others must have been very strong. They obtain such empowerment. Though some seem more likely than others, I cannot definitely say which I am.

Sunday, October 14, 2007

Amy Tan on Art

Amy Tan writes in her book Saving Fish From Drowning: But then I discovered art. I saw for the first time nature and pure feelings expressed in a form I could understand. A painting was a translation of the language of my heart. My emotions were all there - but in a painting, a sculpture. I went to a museum after museum, into the labyrinths of rooms and that of my own soul. And there they were - my feelings, and all of them natural, spontaneous, truthful and free. My heart cavorted within shapes and shadows and splashes, in patterns, repetitions, and abruptly ending lines. My soul shivered in tiny feathered strokes, one eyelash at a time.

I love this expression, and I relate to it as someone who loves art and someone who loves to create art.

Sunday, October 07, 2007

Despair: Hermann Hesse Today

I was looking through one of my first journals today and found where I wrote an excerpt from Demian, by Hermann Hesse. ... "I nodded but was unable to make any comment. He began to bore me and I was startled that his evident need and despair made no deeper impression on me. My only feeling was: I can't help you." Hesse wrote this book in 1919 [under pen name Emil Sinclair] and I read it in the late 1960's... of course I read Siddhartha, Steppenwolf, Narcissus and Goldmund and others. Hesse was born in 1877 and published many works in the first half of the 20th century.

When I looked to see what Wikipedia says about Hesse, I found this interesting slice of how other artists related to his works, so I am including them in this blog today.

Herman Hesse in popular culture
The 1960/70s rock band Steppenwolf named themselves after Hesse's novel, partly due to lead singer John Kay's German origins.
The Volvos singer Heynes Arms wrote a song entitled "I Think I'm Herman Hesse". Like Hesse, Arms had German parentage and was born on July 2.
A portion of Herman Hesse's quote, "In each individual the spirit is made flesh, in each one the whole of creation suffers, in each one a savior is crucified," excerpted from his work Demian: The Story of Emil Sinclair's Youth was included in the eighth episode of NBC's television drama, The Black Donnellys entitled "In Each One a Savior".
The British progressive rock band Yes was also influenced by the works of Hermann Hesse, especially on their 1972 album, Close to the Edge, considered by most critics and fans to be their masterpiece.
Providence, Rhode Island based slam poet Buddy Wakefield titled the first track of his 2006 album (Run On Anything), "Healing Herman Hesse".
Washington DC based electronic duo Thievery Corporation has a song on their album Sounds from the Thievery Hi-Fi (1997) titled "The Glass Bead Game".
The UK Indie-Rock band James makes reference to Hermann Hesse with their lyrics in the song "Crash" on the album Millionaires: "Cut the Hermann free from the Hesse".
A song by the English rock band Blur, "Strange News from Another Star", from their 1997 album Blur, takes its name from the title of Hesse's 1919 anthology of short stories, Strange News from Another Star.
The New York band Suncrown recorded the song Helen, which contains the lyric "I am Goldmouth lost deep in the forest", referring to the character from Narcissus and Goldmund.
The American performance artist Laurie Anderson mentions Herman Hesse and his grave in her spoken piece "Maria Teresa Teresa Maria" on the live album The Ugly One With The Jewels. In it she mentions the disparity between his gravestone and that of his wife, Nina.